Living Statue: Sera

Sera standing still for a long time sped up and put to music


Sera standing still for a long time in real time


New Yorkers' reactions to a living statue


Interview with Sera

Artist: Sera
Medium: Living Statue
Location: Union Square on the 14th St. side

Sera is most definitely a real girl she just plays a fake one at work. Sera is a living statue and in a city where the abnormal is routinely unnoticed, she seems to have a special way of unsettling otherwise stalwart denizens.

Of course, standing on her pedestal, alone, at night Sera’s ghostly act can be imposing. And perhaps with all the art around the City people actually more expect a public statue than a human standing still. Whatever excuse you prefer, people found this living statue worth noting.

Sera, who was visiting from Boston, is a self-taught mime who was forced to make the transition to living statue from fire-eater after she learned the Boston police aren’t particularly keen on that act. “If you try to eat fire in public in Boston eight policemen will show up and take you down to the station in two minutes.”

Sera is very dedicated to street performance. Originally a Middle-Eastern style dancer, Sera traded dance lessons for fire-eating lessons. She then began performing on the street to keep up her pyrotechnic skills and eventually made the switch to living statue after her legal troubles. Now being a living statue is Sera’s passion. Street performance is how she earns the majority of her money and, in the summer, she routinely turns down gigs in favor of being in public. A living statue for two years and a fire eater for four, Sera describes her career as a fixation and spends countless hours thinking about new costumes and ideas. Currently she is involved in creating a heated stand for herself and is taking fire-eating lessons in the city. However, a large part of Sera’s love for her job is that she doesn’t think of it as a job. Instead, it’s her art form and her desire to express herself and make a statement is what keeps her braving the elements and the people.

In New York for a week, Sera says that she enjoyed her stay and that although the money in Boston is better, she would prefer to be around New Yorkers any day with the exception of the Times Square Police. “Boston, much better money because it has bigger tourist traps but I would rather be around New Yorkers any day…Bostonians are mean.”

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Living Statue: Therisa Barber

Therisa standing still for 5 minutes (just so you know she can do it)


Therisa routine (watch what happens when you give her a dollar)


Interview with Therisa - How she got into miming and what it's like to stand still for hours at a time


Interview with Therisa - What it's like to performs on the streets of New York

Still
Originally uploaded by concretebeat.

Therisa standing in Central Park

Distant Still
Originally uploaded by concretebeat.

A full shot of Therisa

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Wide
Originally uploaded by concretebeat.

A group of people around Therisa

Bow
Originally uploaded by concretebeat.

Therisa taking a bow

Artist: Therisa Barber
Medium: Living statue
Location: Central Park Cedar Hill (Performance), Central Park near 59th St entrance (Interview)

Interestingly, mimes have a lot to say once you get them talking.

Therisa Barber is a ballet dancer from England which, depending on if you recognize a person on point, may or may not be apparent from the video. Therisa has lived in London and Kent but left it all for “the Great White Way” (Broadway to the uninitiated). Unfortunately, “that didn’t work out too well” but Therisa had fallen in love with New York at that point and decided to stay on. After seeing a living statue/mime in the subway she quit her waitressing job and went to go work for him at $7/hr. After about six weeks of understudying he said “why don’t you give it a try?” and a career was born.

Therisa resisted being a statue at first stating that the profession conflicted with her love of dance. After a little harassment from her mentor, though, Therisa came up with a compromise: a living statue on point (standing on its toes as ballerinas do).

Therisa's First day
Therisa set up at Times Square out side of Madame Tussaud's and people were not being to pleasant. After 2 hours she quit and went to Central Park so she could practice. Ironically, Therisa chose the oft-visited Cedar Hill and “all of a sudden, like magic, there were mothers and their children, and their fathers and the dollars were happening and I was like, this is like an absolute miracle…from having zero in my bank account at the end of my first week I had my rent paid.”

Now
Therisa has been miming for 2.5 years and has done it at a variety of venues, including a play, private parties, expos and the New York street. Although a rigorous endeavor, Therisa is nonchalant about the physical stress of standing still for hours saying the first 20 minutes are the hardest but after that "you get into your rhythm." You just sort of stand there and let your thoughts go. You think about your next step in your career and how to improve yourself. She adds that as a performer there’s a certain pride that prevents you from giving up in the middle of a show. However, Therisa has had her share of difficulties including bees landing on her, cops yelling at her and even a fellow in the subway smacking her around with a newspaper.

Despite these hassles, Therisa likes performing on the street. First, she says, aside from a few obnoxious people, New York is an amazing city with a massive turnover of tourism, lots of options and a reputation. Therisa notes that while it’s a bit cliché “if you can please a New Yorker you know you’re a damn good entertainer.” And she knows she's a pleaser because she’s got her own fan base at Cedar Hill. Second, Therisa loves being her own boss and being in charge of every aspect of her own show. She also likes the fact that there’s no barrier between her and the audience except self-control.

Therisa got her start training in ballet at the age of 5 and although the discipline and skills she learned have served to make her a successful and unique living statue routine, she still wants to dance professionally and cites her passion for dance as her inspiration for everything she does. Therisa’s abilities have taken her in many directions, from cruise ships to the stage and 35 different countries. Given this experience Therisa comments that “New York, it’s tough but it’s rewarding…the world of an artist, if you don’t keep growing you get stale. [New York,] I think it makes you grow.” Clearly Therisa has no intention of leaving the city and although she wants to push her career, wants an agent, and wants to move into dancing more than miming she observes “there’s some kind of magic just taking it back to the streets. I think no matter how far I went I would always wanna do just once in a while for fun.”